Sam’s practice involved setting up frameworks and systems as part of his practice, particuarly in ‘musical’ contexts.
He used max to do this –
The thing that resonated with me, and affected me the most was the complex relationship and feelings that Sam encountered due to the current genocide in Palestine.
How do we continue our practice when such atrocities are commited around the world? Sam said he had to look back at his work and might not approach things in the same way, his reflections on what was the point in making his work.